Fragments of past transmissions echo below.

Category: Email Archives

  • There’s no way to teach you

    I want to know what keeps you up at night.

    I want to know what struggles you have as a musician.

    It doesn’t matter what kind of music you do. What instrument you play. It’s all the same, anyway.

    You’re a human being, and you struggle with something.

    You aren’t totally happy. Right?

    If you don’t agree with me, let me know. Seriously.

    Yeah, I might get frustrated. I might make fun of you, even. But look, that’s my problem.

    I really want to know what you are struggling with. Life isn’t perfect. You don’t need to pretend that it is. You don’t need to pretend that music is tons of fun at all times. We both know it isn’t.

    I want to help you with whatever you’re struggling with. I think I can. But, I need to know how you talk about it.

    I have my own ways of talking about things. What I say might not make sense to you. I’m weird. The chances are low that we speak the same language.

    You don’t have to describe it perfectly. Just give the gist of it. I will try to figure it out from there.

    The things that I teach are based on mindfulness and meditation. That kind of thing is experiential, not verbal. Meaning, you learn by doing, not by talking.

    So, I want to give you some exercises to do. Hopefully, those exercises will teach you, by giving you experiences that will guide you through dealing with your struggles.

    I wish I could just put it into words and explain it to you. I don’t know how to do that, however. The only thing I can do is give you an exercise.

    But, I need to know what your problem is. Otherwise, I won’t know which exercise to give you.

    Not enough music teachers assign real exercises. So, this might be a weird concept for you. You might want me to explain things, and make sure you understand.

    I know it’s uncomfortable when you don’t understand something. I wish I could convey it in a way that’s understandable. But, I’ve tried, and it hasn’t been very successful.

    Believe me, I’ve written many, many explanations. They are impossible to understand, however, without the experiences needed to go along with them. The explanations are what describe the experiences.

    When you’ve had the experience, the explanation will make sense. Before you’ve had the experience, on the other hand, you will misinterpret the explanation.

    If you could really understand the explanation, you probably wouldn’t need the exercise.

    If you haven’t seen the movie The Karate Kid (the original one, from the 80’s), I highly recommend you fix that as soon as possible.

    This movie has probably 20 scenes that are super-relevant to kinds of things that I teach.

    The most famous scene is the “wax on/wax off” scene, which I’m guessing is the only scene most of you remember. In that scene, Mr. Miyagi teaches Daniel karate by giving experiential exercises. These exercises make no sense. They seem totally unrelated to karate.

    But they worked. Even though Daniel seemingly tried really hard to prevent them from working.

    I’m not going to explain the whole film. You need to watch it. Then, we can talk about it some more.

    You will learn by doing. Even if you don’t want to learn. The learning happens automatically. You have to do absolutely nothing for it happen.

    Your brain is constantly learning, based on whatever is happening to you. You don’t need to take responsibility for this process.

    It just happens.

    So, if you want to train yourself to be able to do a certain thing, you need only put yourself in a situation where the right kind of learning will happen automatically.

    You don’t need to take responsibility for this process.

    Find the right exercise, and just do it. If it’s the right exercise, you will learn. Automatically.

    No responsibility necessary.

    You can try all you want. Doesn’t matter. If you’re in the right environment, you will learn, automatically.

    If you’re in the wrong environment, you will learn the wrong thing.

    So, you need only take responsibility for putting yourself into the right environment. Once you’re in that environment, you’re done. Let the exercise do its job.

    You’re finished at that point.

    Totally free. Just sit back and watch what happens.

    This is how a teacher can help you. The teacher can give you those exercises. And, make sure you do them.

    You don’t need to understand. You don’t need to like the teacher. Those things are helpful to the extent that they make you more willing to do the exercises.

    But, if you can find a way to do the exercises without understanding, without liking the teacher, without feeling confident, without without without…

    …you will be better off.

    Everything will be easier. Just let go and let it happen.

    Let the exercise teach you. The teacher teach you.

    It’s OK to be a bad student. Doesn’t matter. No one is giving you a report card at the end of your life. There are no letter grades.

    Are you getting what you want? Are you becoming the musician you want to become? Look at what you’re learning. Look at the environment you are in.

    That environment is training you, whether you like it or not.

    It’s shaping who you are becoming.

    If you’re in the right environment, you will become the right kind of musician.

    There’s nothing else shaping you.

  • Getting a little sick of piano teaching

    You might have noticed that I didn’t send out any emails last week. This is because I’m having some doubts as to whether I am truly capable of helping pianists with piano problems.

    I might want to focus more on talking about meditation. Not sure yet, still trying to figure it out.

    In the meantime, here is the most powerful piece of piano practice technology I have invented. It’s called the Waterfall Technique, and it will fix any technical problem that you might have at the piano (you can also easily adjust it to fit any instrument):

    1. Choose a piece, and decide how many beats there are per measure.
    2. Set your metronome to the maximum tempo.
    3. Play the piece by dropping your arms on the keyboard, once per beat.
    4. Ask yourself, “is this how I want this piece to sound at this tempo?” If the answer is yes, go back to step 2. If the answer is no, decrease the metronome by 1 click and go back to step 3.

    Most of you will not even try this. Some of you will even argue with me despite not having tried it. Some of you will try it simply to prove a point.

    I’m not interested in convincing you, or in arguing with you. I’m only interested in helping you.

    Don’t say didn’t try!

    (more about the Waterfall Technique)

  • Your playing is horrible

    Your playing is horrible.

    (Calm down: this is a mass email going out to my whole list. I’m not referring to something specific that YOU sent me.)

    Anyway, if you’ve sent me a video of your playing, and you want to know my opinion, there it is.

    It sounds horrible, and it feels horrible to listen to.

    That’s why I am passionate about helping people. Because I want to help you fix this.

    You already know it sounds horrible. And you already know it feels horrible.

    For some reason, you won’t admit it.

    Yet, it’s the only thing you really want. You want it to feel good when you play. You want it to feel easy.

    You make up other explanations for it. You say:

    “I can’t play fast enough”
    “I can’t play evenly enough”
    “I can’t find the right fingering”
    “This piece is too hard”
    “I’m only a beginner”
    “My first teacher taught me bad habits”
    Whatever. There’s a long list of them.

    And for some bizarre reason, you’ve convinced yourself that you care about any of those.

    But you don’t, and you know it.

    So stop asking for help with those things!

    (btw, it’s much more fun to talk about fingering or playing evenly once those are no longer your PRIMARY OBJECTIVES)

  • Hey, wake up

    To all my adoring fans,

    I find it deeply offensive when you tell me how great I am.

    Please, take that time and energy and put it into making something. For yourself, or for others.

    Once this moment is gone, it won’t be coming back.

    Stop waiting for the world to return to normal. It was never normal. You were just asleep.

  • If this is you, go away

    If you want to learn how to play the piano, you should stay focused on practical issues.

    I tend to attract people who identify as having trauma in their past. They often get pissed off when they realize that I’m a jerk, not the kind and loving caretaker that they thought I was.

    I also tend to attract people who think I’m an intellectual and who want to discuss philosophy with me. They get pissed off when I start making appeals to emotion and seemingly throw logic out the window.

    Another group that seems to find its way to me are those who think I’m a nice guy who’s offering some quick tips on how to play the piano. They take off once they realize that they don’t understand a word I’m saying.

    (If you fit into any of the above groups, please scroll to the bottom of this email and click the “unsubscribe” link.

    Terms and Conditions: By clicking “unsubscribe”, you acknowledging that I have “won” our relationship, and that I have the right to brag about this in the future.)

    To those of you who are still left:

    Let’s talk about how to play the piano.

    How to make it happen.

    What to do when it’s not happening as expected.

    What behaviors you are engaging in that are making it less likely that it will happen.

    Why you have resistance to trying the behaviors that will make it more likely that it will happen.

    How to learn to move your body.

    How to learn to move your mind.

    Those kinds of things.

  • How to breeze through a pandemic

    I listened to a great podcast today featuring Daniel Ingram. For those who aren’t familiar with him, Daniel is a meditation teacher and former emergency physician.

    He had a lot of good stuff to say about the pandemic. Particularly about how we can best deal with the many emotional issues that are likely to arise.

    A lot about death and dying.

    First warning: if you are looking for unbridled optimism, maybe skip the first part of the podcast.

    Second warning: depending on your experience with meditation, you may or may not find the end of the podcast to be a bit…weird.

    But in my opinion, it’s all worth listening to.

    Mindfulness skills will be more valuable in the near future than piano skills will be. And, Daniel is extremely hardcore when it comes to mindfulness skills.

    Don’t take that to mean that you should stop practicing music. Especially if you find yourself with some extra free time these days, you should definitely be practicing something.

    There is no better use of your time than spending it learning habits that will serve you over the long term.

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