December 27

Hand Independence in Piano Playing

Piano technique

0  comments

If there's one piano issue I'm sick and tired of hearing beginners complaining about, it's "hand independence". The people who ask about this tend to refuse to listen to common-sense advice. Of course, most of them end up quitting the piano, but a few go on to become advanced. And still, they struggle with basic shit:

  • One hand always seems to want to do whatever the other one is doing.
  • The two hands aren't "lining up".
  • One hand is more flexible and secure than the other one is.
  • You can play one hand at a time with no problem, but when you put them together, everything slows way down.
  • Sight-reading with both hands overwhelms you.

Yeah, I get it. Figuring out how to play the piano with two hands doing different things is not always obvious. Most people are born with two hands, and we are not supposed to get overwhelmed using both of them. Sit down in front of a piano, and it can feel anything but natural. 


In this article, I will give some tips that will help you conquer this problem. It will take a lot of practice, but if you know where to direct your efforts, you will see results.


At least I'll be able to say I tried...

Tip 1: Make hand independence a focus of your piano practice

With the right kind of practice, you can solve these problems. So, before you expect any results, you must make a decision to practice hand independence. 


If you don't make this decision, then your practicing will be aimless. If you do, then you will be able to evaluate your practicing, and determine whether or not it's working for you. If it's not working, you can adjust accordingly. If it is working, you know to do more of it!

How to begin practicing hand independence:

Before you sit down to practice, remind yourself why you're doing it. Write it down. Say it out loud:

"I am practicing today because I want to learn how to develop hand independence."

Most pianists overlook this important step, but it can be surprisingly powerful.

Tip 2: Be patient with yourself

When you aren't getting the results you want, you must be patient. These things take time.


Many pianists will try shortcuts such as:


  • Strengthening their fingers.
  • Stretching their fingers.
  • Trying harder.

When the hands don't seem equal or independent, it can even seem like there's a physical problem. But, unless you have an injury or unusual anatomy, I doubt it's a physical problem. If your left hand feels weaker than your right hand, you don’t need to strengthen your left hand.



Rather, it's a mental problem. Trying really hard is not necessary. Watch some great pianists on YouTube. They are not struggling, not trying hard.

How to be more patient with yourself as you learn hand independence at the piano

When you feel impatient, try to notice what you do to rush the process along. Remind yourself that there are no shortcuts.


Try to pay attention to aspects of your practicing that you are enjoying. When we fixate on what results we're not getting, it is easy to ignore these things. As a consequence, we get demotivated and frustrated.

Tip 3: Slow down and pay attention

Go at the pace your body requires.


Why is it so hard to play the piano with both hands? As I mentioned, fundamental issue is one of impatience. If you don't respect the pace that your mind and body need, you will get a traffic jam in your brain.


This means you need to slow down and pay attention. Unfortunately, there are no quick fixes for sorting this out. That's just not how it works. You must figure it out on your own.


You might not know right away exactly why your right hand feels better than your left. But, if you persist with patience and awareness, you will eventually learn. It just takes time.

How to slow down and pay attention:

When we are frustrated that our body isn't doing what we want it to be doing, we tend to do two things: (1) speed up, and (2) stop paying attention. To gain better hand independence at the piano, we want to counteract both of those.


The key is in noticing when they start to happen. Pay attention to the feeling of the frustration. You want to view the frustration as a good thing. If you can do this, you won't see any need to speed up or stop paying attention.


The frustration is good. It means that you care about getting good results at the piano. The only problem with the frustration is that right now, it's making it hard for you to notice what's happening with your body. So, give it the attention it needs, and it will eventually diminish. Then, you will have more freedom to learn.

Tip 4: Unify the body

Feel the beat in the whole body. Play both hands as one.


When you start paying attention with mindfulness, you realize something surprising. Although it seems you need to have complete hand independence to play the piano, I want you to question this. You could even say that both hands actually always do the same thing. In piano playing, your hands cannot operate independently. After all, the body connects them together.


As an example, consider the activity of walking. Both feet move "independently", and yet the whole body moves in one direction. It would be a big mistake to have your left foot moving in one direction and the right moving in another.


Try to look at piano playing this way. The whole body plays the whole piece of music. Both hands move to the same beat. As in walking, you will make a mistake if you try to keep everything independent. Instead, aim for unification.

Another example: Imagine yourself walking and texting on your phone at the same time. Notice how the movements of your feet will influence the movements that you use for texting. Also notice how texting while walking will feel subtly different than texting while sitting. Let those differences happen, and don't try to fight them.

How to unify the body

Here is an exercise you can try. Play a piece with both hands, but only play the notes that land on the beats. This will encourage you to focus on the beat, and the beat will be the same in both hands.


In this example, you would play only the notes in red. Try to play each one as a full-body action, both hands together.

Tip 5: Prioritize what's important

Make a decision about what is important to you when you play, and don't let the notes distract you from that.


Suppose you are walking with a friend and you have an itch on your face. You will not stop walking to scratch the itch. You will keep walking, because you don't want to get behind your friend, or make your friend wait for you. The walking is more important than the scratching. Because you have set your priorities, there is no problem doing both at the same time.


When you play the piano, don't let a difficult spot in one hand throw off the entire rhythm of the music. This is why it feels difficult to play the piano with both hands.


Set a priority for yourself which is as easy as walking, and the little details will take care of themselves.

Getting started with priority-setting

To try this out, pick something that is really easy. For example, you can say "my priority is to make it to the end of the piece."  Then, try playing the piece. You are free to make any mistakes you want, but at least get to the end.


While you're playing, you might find that your hands get tangled up. That's fine. The rules do not say that you need to play all the notes correctly, only that you need to get to the end.


Here are some other examples of priorities:


  • Play softly
  • Bring out the melody in the right hand
  • Keep a steady beat

These priorities will take your focus off of hand independence while you play the piano, and put it on something you have more control over.

Tip 6: Explore the body

Instead of focusing only on the fact that your hands are getting tangled up, dig deeper into the body.


In a passage where one hand seems to be written slower than the other, remember that neither is ever actually slower. The tempo is still the same in both hands. Feel this energy balanced throughout the body. There must be an constant, internal pulse that governs both hands. 


When you can feel how your whole body responds to this pulse, it will be much easier to notice what causes problems. Remember that the body is a physical thing. It has mass, and is governed by the laws of motion. You must learn to respect this.

How to get started exploring the body

Start by exploring your instincts around the relationship between your hands. Notice what it feels like to move your torso around, and how that affects what your hands are doing. Do things feel independent, or do they feel tightly wound up?


Play hands in parallel motion and contrary motion, and notice what happens. What does it feel like? Does one feel easier than the other? Does one hand feel better going in a certain direction?


Play passages where one hand moves and the other doesn't. Notice where you feel stuck or where you feel one hand trying to "pull" on the other.

Tip 7: Feel the beat

Instead of looking for “hand independence exercises," take the opportunity to make any piano piece into an exercise to coordinate the left and right hand.


A piece of music should have a steady beat. When the beat is not steady, you feel it, and the audience will hear it. So, this should always be your top priority. 

How to feel the beat:

Always, start by making sure both hands are "doing the same thing." That is, ensure that both hands are playing at the same time. Use a metronome, if necessary. You should feel the beat throughout your entire body. This is the essential first step in training your hands for piano.


Once you've got the beat established, work on differentiating the hands. This means add the smaller details.


You may find yourself getting stuck again, like your hands are not cooperating. Or, perhaps it's just one hand that's not cooperating. In either case, go back to making sure that the beat is consistent between both hands.

Tip 8: Read hands together

Instead of thinking of music as having a right hand plus a left hand, think of both hands together. Even when you're reading a piece for the first time!


Sight-reading always screws up the coordination between the hands for some pianists. Maybe you can read each hand independently with no problem, but putting them together causes everything to slow down. Or, one hand is fine, but the other isn't.


Remember that both hands must always move at the same time. It's paradoxical, but this is how you actually achieve hand independence in piano playing. You cannot let one hand get ahead of the other. If treble clef is easier for you than bass clef, your right hand might get impatient waiting for your left. You, however, must wait patiently for both hands to be ready. If you can't do this you should ask yourself why. Where are you in a hurry to go?


When you are reading, your brain must process each beat before playing it. You can't think of each hand separately, and move each hand separately. The entire beat (left hand plus right hand) is one action. It should all be comfortable, and it should all make sense to you.

How to sight-read both hands:

When you sight-read a new piece, make a resolution to play both hands. Try to zoom out a little bit and see both hands at once. Even if you make a mistake, keep going


Set your priorities. Decide which musical elements are the most important ones. Let your whole body play those elements. Don't get trapped into thinking that you need to play everything on the page. Remember that it must all fit into the structure of your body.


This takes practice to do perfectly. But if you persist, you will make progress.

Tip 9: Play Bach

Try practicing Bach preludes, inventions, and fugues.


Bach's music will challenge your finger independence as well as your hand independence. Contrary to popular opinion, it does not need flexible or strong fingers. The challenge is all in your mind.


Finger independence is basically the same issue as hand independence. Here, the whole hand must be unified. Even if the five fingers are playing different things, the hand as a whole is moving in one direction.

How to approach Bach for hand independence:

First, you should understand that Bach's music generally consists of multiple simultaneous voices. Do you see that in the music? Can you hear it when you listen to a recording?


As a pianist, it's your job to express all of these voices at the same time. This is a really hard thing to do! However, with a lot of patience, you can master this skill. Don't expect perfection at first.


Play through a Bach piece, and try to mentally follow one voice at a time, from beginning to end. You can try singing along. Then, do it with another voice. 


The whole aim here is to untangle yourself mentally. The physical stuff will follow from that.

Tip 10: Mix up the dynamics

Many pianists have a hard time playing different dynamics between the two hands. This is an essential skill, and if you struggle with it, you should make this a priority.


As always, the beat needs to be the same in both hands. This is usually the problem (and fixing it is usually the solution...). If you have no unified sense of beat, it's like you're trying to micromanage each hand separately. This just overloads the brain.


If you can play each hand at a different dynamic level, you will have significantly more control.

Playing different dynamics in each hand

First ensure that both hands can play together with no problem. 


Next, experiment with "LH soft + RH loud". You should think of this as a single action. If you find that doing this messes up your beat, you are not thinking of it as a single action.


Likewise, experiment with "LH loud + RH soft".

Tip 11: Mix up the articulation

Practice playing legato in one hand and staccato in the other.


As with dynamics, this will help you attain significantly greater control. It will make it much easier to play music like Bach, where this level of control is required.

The Solution:

See the previous tip about dynamics. The concept is the same. You want to think of both hands as playing together. It's just that one of them is legato, and the other is staccato. 

Tip 12: Let the notes fall where they need to

If you are playing a piece with polyrhythms, such as 3 against 2, or 11 against 7, or 25 against 8, or whatever, do not attempt to calculate mathematically how the notes should line up. Instead, decide where the beats are, and make sure that both hands are playing the beats at the same time. Let the other notes fall where they need to.

The composer probably did not intend for you to count things precisely, anyway. 


If one hand has 25 notes, and the other has 3, they are both playing at the same tempo!

How to let the notes fall where they need to

When you see a difficult rhythmic figure, try to get a sense of the overall shape of the thing. Then, when you play, make sure that you can:


  1. play the first note correctly, and
  2. keep a steady beat.

For now, don't worry about the other notes. Take your best guess, but don't interrupt the flow. This is harder than it sounds, but you will benefit greatly by mastering it.

Be patient


As with most problems at the piano, hand independence is an area you can improve in, if you practice well. Be patient with yourself, and with your body. When you let things happen as they must happen, the struggle will resolve itself.


If you learn to play comfortably with both hands, you can expect the following benefits:

  • It just feels better when everything is working in a smooth and integrated way.
  • Injuries are less likely when your body moves with itself, rather than against itself.
  • Playing is less stressful.
  • Fewer distractions, and more energy and attention available for other things.
  • Your technique will improve, since your body will be moving more efficiently.
  • Audiences can hear when your playing is comfortable, and when you're struggling.

Remember, this is not a physical problem. It is a problem you can solve with patience and mindfulness.


Are you interested in learning more about how mindfulness can help you with piano playing? Check out my online course.

About the author

I'm your worst nightmare. I will violate your expectations. Yes, you will feel violated. Fortunately, I'm a good guy.

{"email":"Email address invalid","url":"Website address invalid","required":"Required field missing"}
>